#Kentucky route zero quotes android

The television sets playing in the cathedral’s alcoves are its “grotesques.” A cartoon bird playing on one set builds a nest from clothes, plastic, and trash that still looks warm and inviting. The hermit crabs scuttling around dock next to the Bureau have salvaged inkjet cartridges and other office supplies to use as shells. And now we have all these old trees choking out the saplings.” As Catherine notes much later, only the noble mushrooms “clear away old things, make room for new things.” But the rest of nature has to make do with recycling man-made detritus. But then people built houses, and we can’t have fires going all the time. On their travels, Shannon laments the spatial excesses of her Kentucky: “You know what used to happen to old trees out in the forest? Wildfire would come through and clear them all out.

#Kentucky route zero quotes android

He meets others wandering the Southern gothic landscape who have been drawn to the Zero and together they form a strange troupe-Conway, the broken alcoholic with his faithful dog Shannon, the mechanic searching for her quasi-deceased cousin Weaver Ezra, the boy abandoned by his family and adopted by the giant eagle Julian Johnny and Junebug, the android musical duo Will, the forgetful adjunct and Catherine, the ship pilot slash doula. In Act I of Kentucky Route Zero, Conway learns in the Equus Oils parking lot that the destination for his last antiques delivery, “Dogwood Drive,” can only be found along the Zero, an underground highway in Kentucky with a non-Euclidean onramp. Society-wide privatized debt is a sign of a usable past that has grown too unwieldy The Zero is a place where, as Douglas Dante puts it for Deorbital “debt becomes visible, makes itself known as a physical force on its victims.” No matter where you look, this Kentucky reflects the horrible ecosystem that has grown, and the apex predator of the Consolidated Power Company that sits at the top and slowly shovels people, places, and things into its institutional maw. Consolidated Power has taken advantage of a great flood’s wake to mutate architecture-and even nature-to its own ends. It manifests in the form of the Consolidated Power Company and its many subsidiaries, fiefdoms, and allies: the Hard Times Distillery and the Bureau of Reclaimed Spaces among them. It has engulfed everything until all that’s left is little more than the sweat-inducing sensation of being immersed under water.Įconomic dread pervades and defines the Zero of Kentucky Route Zero. For them, that same fear of mine stretches out over its four released acts until they can’t remember where their fear starts and stops. In Cardboard Computer’s Kentucky Route Zero, everyone is already beneath the surface.

The end, yes, but more specifically, the moment when your larynx catches, and your reflexes fail, and suddenly you’re using your lungs in a way you were never meant to. Sign near the Bat Colony along the Echo River, Kentucky Route Zero, Act IVĭrowning has always terrified me. “We claim these helmets in the names of the folks who wore them and we place them here in their memory but also as a spit in the greedy green eye of that power company who bought up our old mine and traded our brothers’ and sisters’ safety for a little more yield but only yielded twenty-eight good men and women dead when the walls collapsed and the tunnels filled with water.” “Hope is not a youth movement, but buries its young in the tide.”